Spanish Rose

Since my grandmother passed away recently, my folks have been clearing out her old apartment and finding closets full of art supplies – pristine boxes of oil paints, bundles of brushes, and a number of rolls of canvas. There were also two stretched canvases – I decided to tackle one of them while I was visiting family for two weeks in Bombay. The painting ended up being a perfect example of the way I love to develop my compositions.

I really had a desire to fling red paint at the canvas (yeah, red again – go figure). Since that wasn’t an option at my parents’ place, I decided to paint a splatter. It was relatively free-form and loose (just short of actually flinging the paint). While I was developing the splatter a female form started to take shape, which eventually ended up being a dancer. I went with it, and then covered up the parts of the splatter that I didn’t like with some dark blue-black paint, going with curved lines to enhance the form of her movement.

After playing some more, the curved form took shape as a wave – mainly because I started mixing some white paint in with the blue-black, and turned it more blue. I’ve been itching to paint more “flung” liquid since I painted the wine flying through Chamber 51, and that ended up being the most fun part of painting this one too. I really love those liquid textures – I’m sure I’ll be doing that some more.

I was staring at a photo of the painting so far in my phone in a taxi late at night when I realized that the whole thing was starting to resemble a flower. Probably wouldn’t have made that connection without seeing it in miniature. Went at it the next morning and it worked – and now the whole painting suddenly became all about the flower. Love it when that happens.

I was mostly done – or at least I thought I was, and my parents had an artist friend, Delna Dastur, over for tea. We started discussing my painting and she said she thought it wasn’t done yet – the background needed to be something other than white. I agreed, but I was hesitant because it would be hard to lay color down so late in the game – the paint splatter especially would have been hard to negotiate. Plus, I would be leaving in a day. She said “It’s always worth the risk”, and as soon as she left I used a rag dipped in watered-down paint to roughly dab a thin wash of indigo over the white. Took around 5 minutes and it was done – thanks Delna!

Similar Posts

  • Ultrasound

    “Ultrasound” my latest painting, has been an exercise in channeling group creativity through my facebook page.  Almost every idea in it’s development was contributed by people through comments on photos of the unfinished canvas.  I often say that my best work is a result of happy accidents along the way – changes in direction that are inspired…

  • Chamber 51

    Here’s a painting seventeen years in the making! I stretched the canvas myself in 1995 and created what could only be described as a juvenile homage to Dali’s landscapes. It really was quite awful and I only saved it because it seemed like a waste to throw away such a massive canvas. In the early…

  • India

    In the summer between my junior and senior year at college I had the easiest job I’ve ever had. I was the “Gallery Guard” at the Wriston Art Center at Lawrence University in Appleton, WI. My responsibilities included using a handheld clicker to count the number of visitors, and making sure that nobody touched any…

  • Atlas Drugged

    The canvas on which Atlas ended up started out as a painting called “Improv in C-minor”. Even though I did take a photograph of it, it was never complete in my mind and at one point I decided to try adding some translucent layers to it – completely ruined it, got mad at myself for…

  • Toccata

    Toccata is one of my earliest works, and also one of the largest canvases I have ever attempted. It was started and completed on a dreary winter Saturday in 1994 and hasn’t really been touched much since. While I love it conceptually, I’ve never been completely satisfied with the execution of it, and to be…