India

Wriston Art Center, Lawrence University

In the summer between my junior and senior year at college I had the easiest job I’ve ever had. I was the “Gallery Guard” at the Wriston Art Center at Lawrence University in Appleton, WI. My responsibilities included using a handheld clicker to count the number of visitors, and making sure that nobody touched any of the art. Sometimes I didn’t have to reach for the clicker all day. Honestly the toughest part of the job was not falling asleep, a requirement that was made even harder by the fact that I had carried over a very comfortable armchair from a nearby frat house to the art center for myself to sit on all day. Afternoons were the hardest to get through.

First I set about devouring Tom Robbins’ entire catalog. When that was done, I went for Herman Hesse. I made it through Steppenwolf, but Siddhartha had me falling asleep every few minutes, so I needed something else to do. I decided to grab a black Sharpie and start doodling on a blank canvas.

India
India – 26″ x 34″ – acrylic on canvas

At first the doodle was completely free-form. I wasn’t trying to create anything in particular. I remember envisioning just a big swirling black-and-white pattern. Though I was specifically trying to avoid creating a recognizable image, it didn’t take long for an image to form. At first it was just the mouth. I didn’t quite know what was going to go in the mouth so I left the inside blank and just finished doodling around it.  The form of an elephant took root because the tongue started looking like a trunk.  Eventually it ended up being a large black-and-white trippy doodle of an elephant being devoured by a mouth – and it stayed that way for around six months because I thought I was done with it.  I’ve hunted high and low for a photo of it at this stage, but even though I know I took one, I can’t find it.  Maybe I’ll update this post at some later date if I find it.

Fast forward to my final semester in college. I’ve taken forever to finish The Kiss, so I have very little time left to complete the last painting that I was required to.  Suddenly I remembered the elephant sitting against the wall in my dorm room. That was practically complete even though it didn’t yet have a drop of paint on it.  So I went to work using thin glazes of paint so I didn’t obscure too much of the detail I had put so much effort into.  The coloring was complete in a couple of hours and I submitted it as my final painting.

I named the painting “India” because everyone kept calling it Ganesha (it’s not – Ganesha is always represented with a broken tusk – my elephant has no such dental issues).  I also think that it looks more like an African Elephant than an Indian one, but…

Similar Posts

  • Lasya

    “Lasya” is the creation dance performed by the Hindu god Shiva in his depiction as Natraj. The inspiration to meld Indian and Spanish dance came from my sister Behnaz, who is a dancer. She’s been performing Flamenco for many years now and some time ago she had explained to me how it had originated from…

  • Gorgonomcephalus

    In late 2010 I was lucky enough to meet Sebastian Kvist, a PHD student at the Museum of Natural History in New York. Within hours of meeting him I was peppering him with questions about biology – not doing much to conceal my enthusiasm for the subject. He was kind enough to invite me and…

  • The Quartet

    The saxophone player and bassist in this painting emerged in a very rough form after a hurried improvisation, only to be abandoned for more than year. When I took it up again I had a very specific concept I wanted to get down on the canvas. “The Quartet” is an attempt to visually depict how…

  • Chamber 51

    Here’s a painting seventeen years in the making! I stretched the canvas myself in 1995 and created what could only be described as a juvenile homage to Dali’s landscapes. It really was quite awful and I only saved it because it seemed like a waste to throw away such a massive canvas. In the early…

  • Toccata

    Toccata is one of my earliest works, and also one of the largest canvases I have ever attempted. It was started and completed on a dreary winter Saturday in 1994 and hasn’t really been touched much since. While I love it conceptually, I’ve never been completely satisfied with the execution of it, and to be…